Any giallo fan worth their salt knows the imagery of the iconic green and yellow scotch whisky bottle is about as important as black gloves and straight razors to the genre.
This is a 1.25″ soft enamel lapel pin with a high polish gold metal plating. This sucker glints in the sunshine, and will definitely get people’s attention! Comes on a dense, high-quality custom card back, attached with a strong rubber clutch.
Each pin also comes with its own fake mini giallo book cover!
This will sell out so don’t sleep on it!
GO TO THE CAMERA VISCERA SHOP TO BUY!
This creepy 1973 film is more psychological thriller than flat out horror, but I’d say the film as a whole is pretty horrific and unsettling.
After the accidental drowning death of their daughter, Donald Sutherland and Julie Christie take a business trip to Italy so he can restore a church. While there, they encounter two sisters, one of whom is blind and claims to be clairvoyant (she’s totally terrifying.) The psychic sister informs the couple that their deceased daughter is trying to warn them of some impending danger. Sutherland dismisses them at first, but soon starts seeing what he believes is his little daughter — recognizable by her little red raincoat — all around Venice. Soon, they seem to be surrounded by danger, from accidents while restoring the church to reports of a serial killer prowling the streets.
Christie goes back to the states after she’s informed that their son has been in an accident. Sutherland, now alone, goes in search of ‘his daughter’, and the results are truly terrifying.
Like Pet Sematary after it, this film explores the emotions that go along with losing a child and the psychological effect it has on a parent: what lengths will they go to for closure, and how much danger will they put themselves in? The answer is usually “far too much”, resulting in even more tragedy than to begin with.
Though a British production, the film has a very Italian feel — and not just because it was shot in Venice. The use of color is important in the film, and it was shot and edited very stylistically. And if ratings are your thing, this film got a “95% fresh” rating on Rotten Tomatoes. So there’s that.
With slight hints of giallo, this Spanish film feels, at times, like one of its Italian counterparts — what with the mysterious black-gloved madman, befuddled detectives, and the unnecessarily overdubbed American actors — but make no mistake, this gristly, sweaty ‘piece’ of cinema is pure early-80s sleaze.
I don’t know why this film is so overlooked when it comes to great horror. It has all the components of a classic: a chainsaw-wielding psycho attacks innocent girls on a college campus. What more could you ask for? The acting is shoddy and the blood is pure ketchup — everything you could ever want from a great horror film.