Tag Archives: review

“Shakma” (1990) REVIEW

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This review was originally written for and posted on Letterboxd.

A pretty fun, cool little flick that combines LARPing and a bloodthirsty lab baboon.

Some med students (and their professor) play an after-hours live action role playing game in the medical building where they practice/study (hey, why not?) This is also the facility that houses all the monkeys they do testing on, including Shakma, their most recent testee. Whatever they did to ol’ Shakma has made him (her?) super aggressive and looking to tear some faces off. Shaks gets loose and hunts our clueless students down one by one.

The film loses some points for not using Peter Gabriel’s “Shock the Monkey” in any way. Shakma the Monkey, “Shock the Monkey”? C’mon people!

Dr. Jose on “Terror Train”

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I originally wrote this review/article for Shit Movie Fest‘s “25 Days of Shitmas”. You can check out the original article on their site, here.

I think I was near 20 years old at the time. This is about a decade ago. I was taking the Amtrak from Chicago to go see my parents in Southern Illinois. The train was empty enough, and I was thankful for that. I sat alone; had both seats to myself. In the pair of seats in front me sat a young girl – probably 16 – and a guy maybe about my age. I couldn’t see their faces at the time, but I could hear them quietly bickering pretty much from the get go. You know, young love.

Night fell and I spent my time completely zoned out, headphones on, staring out into the absolute darkness that sped by. I don’t know how it caught my attention, but as I faced the window my focus shifted. Reflected by the glass, I could see the girl who sat in front of me. She was facing the window, staring directly back at my reflection, and she was mouthing the words, “Help me.”

I sat there dumbfounded for a few seconds before I fully processed what was really happening. It takes awhile when there’s no tense string score to punctuate how you should be reacting. When it hit me that this girl could actually be in real trouble, and that the guy she was with was possibly bad news, I went cold. I hate to use such a trite phrase, but it’s true: I felt an actual rush of icy numbness.

Seemingly by luck, the guy who was sitting with her got up right then and either went to the bathroom or to go get food. Regardless, it was just enough time for this girl to look over the back of her seat at me and start frantically spilling her story: she didn’t know who this guy was; he had snuggled up to her as soon as she got on the train; he was being too forward, too touchy, too aggressive; he was drunk; she was afraid. She didn’t know what to do.

Now, thinking on my toes has never necessarily been my greatest strong-point. I do best with a few hours, a couple beers, and a notepad. I could have said a million things to this girl, the easiest and most logical being, “Get a conductor”, or even just, “Move seats right now, sit next to me!” But under pressure for an immediate response — and yes, this whole story has been 100% true, including the next few lines — the first thing that came to my lips was: “Set him on fire?”

I’ll let the insanity of that bizarre suggestion set in for a second, but I won’t wait too long because this story somehow gets crazier, and quick. As if I’d just handed her a Christmas gift she had been begging 364 days for, this girl’s face lit up. Her eyes got big and her smile broadened. “Great idea!”, she enthused, without a single drop of sarcasm. Again, this all really did happen.

She plopped back down in her seat just as the mysterious aggressor returned, resuming his place saddled up next to her. I sat there, motionless, slack-jawed. Just as quickly as it had started, it was over – seemingly back to normal. And there was no one around who witnessed it, so I couldn’t actually be sure it really even happened. A part of me thought, “Is this it? Is this how these types of situations are handled in real life? Is everything okay now?” I must have accepted whatever conclusion came from my internal dialogue as an acceptable resolution, because I soon recommenced submerging myself in the vast darkness on the other side of my window.

But that’s when I heard it. The distinct “chk, chk” of a sparkwheel striking flint, from a lighter low on fluid. “Chk, chk”, again, only this time followed by a “Yeow! What the hell are you doing, you crazy bitch?” The creeper shot up from the seat in front of me, rubbing the side of his head. He continued mumbling to himself as he made his way down the row of seats, far away from the one he’d just been sitting in. I couldn’t believe the girl had taken my advice, but moreover I couldn’t believe it worked. But then again, if someone sitting next to me tried to set my head alight, I’d hightail it out of there, too.

Like a gopher, the girl popped back up, still grinning: “That was so awesome!” I asked if she was okay, she said she was, that it was just some unwarranted attention from a tipsy stranger. Before I could ask anything else, she spoke again, but in a weirder, more hushed voice: “You know, I think I’ve seen you before…” That icy, uneasy feeling I spoke of earlier? It returned in waves. I had no idea who this girl was, I had never seen her in my life. I smiled and shrugged. I asked where she lived.

“Oh, I live at Brookside. Have you heard of it?” I had heard of it. As I was aware of it, it was a boarding school where troubled kids were sent. And it was just a couple blocks away from my parents house. On the same street. I suddenly realized that there was a real chance this girl had seen me before, and that creeped me out even more. She was still smiling, her eyes wide and fixed. She asked how long I was going to be in town for. “Maybe we could hang out…” Her voice was soft and terrifying. I still hadn’t said anything in a few minutes, mostly because I was still reeling from how this whole thing had unfolded. I felt broadsided. I was sucked into a situation and thought I had helped, but now I just felt like the second fly on a spider’s web.

“I…I…”, was all I could manage. I probably sounded like a pirate.

“What’s your phone number?”, she pressed. Still smiling, eyes black and burning.

I blurted out ten random numbers. It was the first smart move I had made this whole time. She wrote them down on a piece of paper, which she tore a chunk from and handed to me. Her number was written down.

“Call me.”

I looked behind me down the long row of seats for the unaccounted shady dude from earlier. I wondered if he had unwittingly been made the pawn in a game of loony lust, and if I had been the intended target the whole time. I felt weird, tense, confused. I turned back to the blackness outside and I looked out as far as I possibly could.

——–

Terror Train is actually a lot like this anecdote, and not just because of its locomotive setting. It’s long – much longer than it needs to be – but the big reveal at the end is just satisfying enough to make it all worth it. Would you want to hear it again? No, of course not. But the first ride’s pretty fun.

The first time I saw Terror Train, I was honestly pretty blown away. Even if it was just to cash in on the burgeoning slasher craze at the time, it has a clever enough concept and a reveal at the end that’ll leave you braided as a pretzel. I don’t want to give too much away, especially if you’ve never seen it, because the less you know the better.

A graduating class of med students board a train on New Year’s Eve to celebrate their success, and wouldn’t you know it? It’s a costume party! As a mysterious killer makes their way through the iron horse, they take the costume of each successive victim, making the killer harder to track. It’s a fun flick – and the only film magician David Copperfield has had a starring role in – but repeated viewings will definitely make the holes in the plot more apparent. Still, I consider it to be a top contender to all of its early-80’s slasher ilk, and I’m surprised it doesn’t get more recognition – because it should.

Well, that’s all my prattling for now. Go watch Terror Train.

This has been Dr. Jose, saying: Happy Holidays, Hail Satan, and Cowabunga.

“Body Parts” (1991) REVIEW

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This movie is incredibly under-appreciated and too oft forgotten! It stars (the under-appreciated and oft forgotten) Jeff Fahey and was directed by Eric Red (who did The Hitcher and Near Dark). The premise is a great one: three people receive donor limbs from a recently ‘executed’ serial killer. But the killer isn’t really dead…and he wants his parts back. Super bloody, spooky score, and a great non-Chucky performance from Brad Dourif during his Child’s Play heyday. A must-see for any horror fan.

“The Brood” (1979) REVIEW

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As far as I can remember, this is the first horror movie I ever saw. My mom and sister were watching it on TV, and it scared the shit out of me.
I’ve always preferred David Cronenberg to David Lynch when it came to “what-the-fuck-did-I-just-watch” cinema. In fact, it’s this point exactly that makes The Brood so scary: it’s so far out there…just the idea of what’s happening will give you goosebumps and freak you out. A description of the film from Wikipedia (since I really couldn’t put it into words any better):
“The film depicts a series of murders committed by what seems at first to be a group of children. These are in fact the psychosomatic offspring of a mentally disturbed woman, whose husband fights for custody, and finally the life, of their daughter.” Terrifying, right?

This movie has it all: body horror, killer kids, and even a statement about the topic-at-the-time, Women’s Lib.

“Cropsey” (2009) REVIEW

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This entry may be a bit controversial since it’s a documentary, but since it deals with urban legends and the boogeyman, I thought I’d include it. Plus, for a documentary, it’s utterly terrifying — I mean, what if an urban legends were real?

The filmmakers start out by detailing a myth of their youth: “Cropsey”, a boogeyman type who hunted and killed the children of Staten Island. This eventually turns into the filmmakers exploring several missing children cases from their neighborhood when they were younger. What they discover is that the urban legends of Cropsey turn out to be completely true.

I forget how I stumbled across this, but it came out in 2009 and I watched it just last year. Bottom line is it’s incredible, I’m so glad I watched it. I love documentaries and true crime as it is, but it plays to my horror fanatic side as well. In fact, I don’t think I’ve seen a documentary like this: it plays out just like a horror movie. Like a real life Candyman.

After you watch a scary film, when the lights come up and the credits start to roll, you can take a breath and say it was just a movie. But if you want to watch something that you cannot dispute and won’t be able to shake, watch Cropsey.

“The Burning” (1981) REVIEW

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The Burning was released shortly after Friday the 13th and has often been called a ‘rip-off’, but that isn’t the case — despite several glaring similarities.

Yes, both are set at a summer camp (Burning in New York, Friday in New Jersey); the antagonist in both films is a lumbering, disfigured unstoppable monster; and, oddly enough, Tom Savini did the make-up for both films (to GREAT effect, I might add). But despite the similarities, The Burning is actually quite a refreshing watch after seeing the Friday canon about a hundred times over.

The film sees a hapless janitor (named Cropsy) fall victim to a prank gone awry, wherein he is severely burned and disfigured. However, he survives — and after laying low for awhile — decides to exact his revenge on some kids at the same camp. The weapon he chooses to maim the kiddies — pruning shears — is particularly brutal.

This film is notable in the fact that it stars future names like Holly Hunter, Jason Alexander, and Fisher Stevens. Not only that, but it was written by Harvey Weinstein (yes, that Weinstein) and produced by his brother Bob. In fact, it was the first movie produced by their company, Miramax. It was also produced by a very young, pre-Paramount CEO Brad Grey.

If you like it when slashers attack kids at camp, but need a break from ol’ Jason, give Cropsy a try.