Category Archives: All Articles

Crispin Glover’s Friday the 13th 4 Dance!

ani2

There’s a well-known scene in Friday the 13th 4: The Final Chapter, which sees Crispin Glover at a party, asking a girl to dance. But instead of dancing, he just flails about wildly in start/stop herky-jerky motions.

The song used in the scene was “Love is a Lie” by the group Lion. However, the word is that they were actually dancing to “Back in Black” by AC/DC on set, and had to dub the aforementioned song in afterwards.

So I went back and added AC/DC’s “Back in Black” to the scene just to see what it would look like – and if it would help Glover’s dance moves make any more sense.

I think Crispin was marching to the beat of his own drum on this one.

Great Horror Movie Drunks!

Horror movies and drinking go together like…horror movies and drinking. Whether you’re tying a few on while watching a splat show with a couple equally buzzed buddies, or if the drinking is happening among the characters in the movie itself, there just seems to be no better suited pairing than beer and blood.

So, before you puke up your green-dyed guts and pass out earlier than 6pm on this, the booziest of holidays, take a moment to read my list of great horror movie drunks! You might just pick up a few ideas.

jack

I gotta get the obvious choice out of the way right off the bat: Jack Torrance from The Shining. Nicholson’s Torrance is the epitome of “great horror movie drunk”, a recovering alcoholic who battles demons both literally and figuratively. Stephen King, author of The Shining, is himself a writer who struggled with the bottle, so perhaps writing this wasn’t much of a stretch for him. But if ever there was a film that could convince me to abstain from drinking, it’d be this one. (Nah, not really.)

john

Another great “drinking will ruin your life” film is 1971’s Wake in Fright (aka Outback), a terrifying thriller set in the sun-soaked Australian desert. A mild-mannered teacher on his way home for summer break has a layover in a small town inhabited by the scummiest, most desperate drunks on the continent. The frightening part is just how quickly and easily the sensible John Grant slips into their debaucherous ways.

grantafter

It’s a beautifully shot film that really emphasizes the importance of beer to these low-lifes. But man, they do make drinking look good. Be right back, I’m feeling thirsty.

jud

I can’t think of a more perfect actor to portray Jud Crandall than Fred Gwynne. A tall, lanky hick with a garbled Maine drawl, he’s a good-hearted old-timer who cares for the neighbor’s kids, but he doesn’t sugar-coat the facts about life and death. And in his spare time, he likes to unwind with a Budweiser or six.

pet-sematary-3

He even likes those little stubby 7 oz. bottles! But ever the equal opportunist, he offers plenty of love to the long-necks, too.

qmstr

There’s just something authentic about Gwynne’s performance. When Crandall sits on his front porch, sparks up a cigarette, and cracks open a Bud – only to be seen nodding off a few scenes later – you can’t help but believe Gwynne knows from personal experience exactly what his character is doing.

martin

“Darlin’, you’re gonna be the death of me! But what a way to go…” Those are literally Martin’s final words, right before Crystal Lake mainstay Jason Voorhees uses the whiskey bottle he’d just been drinking from to gouge him to death.

Screen Shot 2015-03-10 at 12.00.46 PM

Screen Shot 2015-03-10 at 12.01.37 PM

If I had to maintain a cemetery near Camp Crystal lake, aka “Camp Blood”, aka “Camp Forest Green”, I would probably talk to my pint of whiskey, too. Martin is a likeable old coot, so it’s a shame to see him go. Earlier in the film, upon discovering Jason’s grave had been dug up, he immediately reaches for his flask…

Screen Shot 2015-03-10 at 12.00.01 PMAnd after wiping away the dribble, he looks directly into the camera and addresses the audience: “Some folks sure got a strange idea of entertainment.” They sure do, Martin, they sure do.

RED

Gary Busey is a goddamn treasure in Silver Bullet. Not only does he deliver the type of performance that convinces the viewer he wasn’t even aware he was filming a movie, but he portrays unclehood in such a way that you wish he was your uncle. Easily the world’s greatest cinematic uncle since Buck. He tells you dirty jokes, plays cards with you, and builds you a rocket-powered wheelchair – all while chipping away at a bottle of Wild Turkey. Who wouldn’t want him hangin’ around the house all time?

silver-bullet-haim-Busey

silver bullet busey wild turkey

Look at that face. I been there, brother.

mac

Like the aforementioned Martin the gravedigger, Kurt Russell’s helicopter pilot, R.J. MacReady, is a sympathetic drunk. What else are you supposed to do when you’re stationed in the middle of nowhere Antarctica? Poker with the boys can only be entertaining for so long. It wouldn’t be long before you’d feel the urge to numb your brain to save it from isolation madness. The fact that there’s an unseen killer among your group probably ain’t too good for the nerves, either. And in a wonderful homage, wouldn’t you know it? R.J.’s drink of choice is J&B scotch – a favorite drink among gialli films.

the-thing-kr

unnamed

Can you imagine the type of light sensitivity you’d have when the sun was glinting off pure whiteness, everywhere? Those awesome goggles are a must for anyone hungover in arctic territories.

jackson

The Halloween franchise has been spotty at best. As the series progressed, the story got murkier and murkier. And the characters? They didn’t fare much better. They weren’t likable or memorable. In fact, any fringe characters that showed up in the later sequels you knew were just thrown in to be chum for Michael Myers. But Halloween 4 – one of the best entries besides the original, in my opinion – managed to have a fun, straight-forward premise and also featured characters you were interested in – from stepsister Rachel, her horny boyfriend Brady, and hell, even Wade was enjoyable, and he’s only onscreen for two minutes:

Wade_-_Halloween

But one of the best secondary characters has to be Reverend Jack Sayer. His screen time is even less than Wade’s. However his appearance may be the most important in the entire series. The scene sees him pick up a hitchhiking Dr. Loomis on a lone, dusty highway. The two men don’t know each other, they’ve never met, but Rev. Sayer feels an immediate kinship to Dr. Loomis. In fact, he seems to know exactly what it is Loomis is after.

h4rev

“You’re huntin’ it, ain’t ya? Yeah, you’re huntin’ it alright. Just like me…You can’t kill damnation, Mister. It don’t die like a man dies.”

While Sayer is hunting a more metaphorical evil and Loomis a more literal evil, the two men share a common end-goal, and for once in the entire series you have a character who not only understands and empathizes with Loomis, but one who doesn’t look at the Doctor like he’s a madman. (I mean, except for that screenshot above. Ignore that.)

The two men share another thing in common: a fondness for the drink. So when Sayer offers up some liquid warmth, Loomis gladly accepts. And as he drinks, the reverend sings a gospel to lighten the mood. And it’s only the second time in the entire series that we see Loomis crack a smile – a brief moment of relief; they’re no longer two men spending their remaining days hunting evil – they’re just two men enjoying a drink and each other’s company.

halloween-4-the-return-of-michael-myers-08

mcdermott

“Lay off the fuckin’ booze for awhile, why don’t ya?” This is a question posed to (yet another) drunken helicopter pilot, Bill McDermott, in Day of the Dead. Again, I understand why he’s such a hard drinker: it’s essentially the end of the world. Zombies have overrun the land, and McDermott and his cohorts are stuck in an underground bunker. I’d be drinking, too. But I feel it should be noted: McDermott is screamingly Irish. He even shouts “Jesus, Mary and Joseph!” a few times throughout the film.

bedelia

Last, but certainly not least, we have Aunt Bedelia. Like Rev. Sayer, Aunt Bedelia’s screen time in Creepshow is brief. But Viveca Lindfors’ portrayal of Bedelia Grantham is so wonderfully nuanced and flawlessly delivered, that she’s able to steal the show in her short time onscreen. Bedelia’s guilt from murdering her father has left her frazzled and slugging Jim Beam by the bottle-full. She’s probably spilled more than you’ve drank.viveca-lindfors-creepshow-bedelia-5

She’s such a boozer, that even the comic version of Creepshow makes sure to note her love of spirit-imbibing.

2929623-bedelia

Bedelia’s scene – one where she sits by her father’s grave, pounding the booze while cursing him in some odd, coastal accent – is brilliant and fun. But Aunt Bedelia ain’t the only one in Creepshow who likes to drink.

If you weren’t aware, Stephen King wrote the story for Creepshow, so naturally there’s a lot of drinking. King, who also stars in the movie as nunkhead Jordy Verrill, enjoys some Ripple, as well as a mean Screwdriver later on.

1709817,1ebr0NNurHg7pyGaqTGvKFi1mYu8tK50F3X2zZsiWwAMnyqutUC3PCnSXCINeTLqa2V7iGzso9he3qrK0GLUUA==

Then there’s Wilma. But you can call her Billy. Everyone else does!

23a0e312704f73da3eac8af5a2afbdef

And even Fritz Weaver as the inconsolable Dexter Stanley:

tumblr_n8ykj7iWqQ1t1g01wo2_400

Even Leslie Nielsen has a drink to calm his nerves – every segment except the final one features boozehounds. Speaking of Creepshow drunkards, this list wouldn’t be complete without one of the most prolific drunks in horror history, Tom Atkins. In fact, he’s the M.V.P. of this list!

mvp

atkins

Tom Atkins is just the best, there’s no denying that. He was in all the great horror flicks of the 80s. And in every one of ’em, he’s drinkin’. Like in Creepshow, from the picture above.

Or like in Halloween III: Season of the Witch, where he’s constantly drinking – whether it be alone of with some homeless people:

H3Beer

halloween_crimson_quill-61

H340

 Or in Maniac Cop, having a cold one with a co-worker after a long, hard day in the office:

tom-atkins-maniac-cop

Or in Night of the Creeps, where he plays a cop so haunted by his past that he’s suicidal. Not even booze – or even daydreams of delicious tropical drinks – can soothe his mental scars:

atkins 4

creepsatkinsdream

Hell, he even says “It’s Miller time!” right before shooting a zombie in the goddamn head. So legendary is his onscreen drinking, that upon Googling his name I discovered random pieces of fan art which detail this very fact:

atkinstime

H3Booze

In short, the man loves to drink.

And this is where I leave you, friends. May your day of drinking be a peaceful one, void of any slashers, zombies, werewolves, or alien lifeforms. There’s nothing worse than a spilled or unfinished drink. Have a safe and bloody holiday, but don’t forget to drink a few extra in honor of the entrants on this list. It’s Miller time!

(Read Great Horror Movie Drunks Pt. 2!)

Psycho vs. Psychic, Kane Hodder, & Jason at Sea!

title

I miss being a little kid and watching a horror movie I’d never seen through unjaded eyes. Just turning off my mind, pressing play, and absorbing the wonder.

As an adult now, I sometimes catch myself being clinical and obsessive about non-issues when watching a horror flick…and I hate that. The weird thing is, I only do it when watching a recently released movie I haven’t seen. The older ones, they get a pass. It’s like respecting your elders or somethin’. I haven’t thought long enough on it to explain it better.

That being said, when I was a kid and I saw a zombie Jason facing off against a girl with psychokinetic powers – in a series that was once grounded in some sort of reality – I didn’t even bat an eyelash. Instead, I was like, “This is great!” I mean, it was.

Friday the 13th: Jason Lives was released to little fanfare – the critics actually appreciated its intelligence, but the fans weren’t feeling the meta, self-referential humor that was peppered throughout. That was two strikes in a row for the series (after the abysmal but now cult status Friday the 13th: A New Beginning), so Paramount was pretty much ready to abandon the series. This is where the initial idea of pitting Jason against Freddy Krueger started to be toyed with. But when Paramount and New Line Cinema couldn’t come to an agreement, the project was discarded. In a last ditch effort to revitalize the series, screenwriter Daryl Haney submitted a throw away idea he had: Jason versus a girl with telekinetic powers. The Associate Producer, Barbara Sachs, loved the idea: Carrie versus Jason…That’s an interesting idea.” And so it was. Continue reading Psycho vs. Psychic, Kane Hodder, & Jason at Sea!

Shemps, Tommy Jarvis, & the Modern Prometheus!

title

Welcome back! I was just about to start talking about the headscratcher that was Friday the 13th: A New Beginning. Hope your nails are trimmed.

For all intents and purposes, Friday the 13th: The Final Chapter was meant to be the last movie in the series. After all, Jason took a pretty good machete whack to the temple in the third act. Then bald little Tommy Jarvis thought he’d hack away at Jason while he was down until nothing was left but a pile of Hamburger Helper. I mean, it wasn’t subtitled The Final Chapter for no reason. This was it, people! But director Joe Zito, being the good sport that he was, left the film open-ended: as the final bit of music starts to swell, the camera pans in on an emotional Tommy Jarvis hugging his sister Trish – they’re the only survivors. Suddenly, boom, Tommy’s face goes slack and his eyes blast open, and he stares, dead-eyed, into the camera. Into our souls. Does this mean Tommy Jarvis would spiritually inherit the unstoppable urge to kill from Jason Voorhees, the man he’d just murdered?

tommy

Kinda. Not really, though.

See, producers and writers of A New Beginning were convinced that Jason was actually dead, they just needed an idea of where to take the series from there. Certainly, bringing Jason back from the dead was too ludicrous of an idea to even consider. Zombie Jason? That’s just crazy. Perhaps they hadn’t thought about the fact that Jason had apparently drowned as a child and was therefore already…

Anyway, they didn’t think Jason could come back. To be fair, Friday the 13th Part 2, Friday the 13th Part 3, and Friday the 13th: The Final Chapter are all supposed to take place over the same weekend, if you follow the timeline correctly. So there wasn’t anything necessarily other-wordly about Jason at this point. He was just a killer who took some massive abuse during the course of one week, and was finally stopped by Tommy Jarvis.

It’s important to note that at this point, the ‘undead killer’ trope hadn’t become a thing yet. It was 1985: Michael Myers was officially dead in a hospital fire; Leatherface was still a year away from a sequel – as far as anyone knew, he was still dancing and spinning out on some desolate Texas road; Freddy had just made his debut the year before, and his sequel wouldn’t be released until 8 months after A New Beginning. There was no Chucky. No Jigsaw. No Candyman. So in 1985 dead was dead. And Jason? He was dead.

But instead of following the Tommy Jarvis-as-Jason storyline, they decided to do two things:

  • first, revisit that mental hospital script they rejected for Friday the 13th Part 3. Fine, solid idea.
  • The second thing they did, however, left fans with a bad taste in their mouths and caused some of the lowest ticket sales in the series at that point.

So what did they do that was so offensive? They used a fake Jason. Like how The Three Stooges used a fake Shemp to fill in for some of the scenes after the real Shemp died. Not cool, Paramount.

oy

Halloween III: Season of the Witch doesn’t feature Michael Myers, but at least they didn’t have some guy walking around in a white William Shatner mask, only to pull it off in the final act and go, “Ha! I’m not Michael Myers!” – which is exactly what happened in A New Beginning. So you can understand fans feeling a little cheated.

The opening to Halloween: Resurrection (that’s “Part 8” for those keepin’ track) did try a similar stunt: Jamie Lee Curtis thinks she decapitates Michael Myers at the end of the previous film (effectively permanently ending the series), but wait a second! Turns out the real Michael Myers had crushed some poor schmuck’s voicebox and slapped that familiar mask on him instead. So Jamie Lee just ended up killing some random dude. It was an utterly implausible move, even for a series where the bad guy had been shot, stabbed, burned, buried, and somehow still kept coming back for more. I mean, we the audience can only suspend our disbelief so much.

Even A Nightmare on Elm Street 2: Freddy’s Revenge hopped on the ‘surrogate killer’ train, almost immediately – with young protagonist Jesse committing all of the murders, with Freddy only occasionally popping up towards the end of the film.

Hell, now that I’m thinking about it, three of the Friday the 13th films don’t feature Jason as the primary killer: the original, this one, and Jason Goes to Hell! What the hell is going on?!

What A New Beginning lacked in a Jason it made up for in sex and violence. The late director Danny Steinmann had gotten his start in porno; apparently the sex and nudity in A New Beginning had to be toned down — but the censors saying your horror film has too much nudity, it’s like telling Willy Wonka his factory has too much chocolate.  And a new precedent had been handed down to Steinmann: there must be a kill every 8 minutes. And it shows. There are random characters popping up out of nowhere, only to be killed off in the same exact scene they first appear. Like two greasers, one of who is dressed like Marlon Brando from The Wild One:

greasers

There’s a lot wrong with the flick – it feels the most unsure of itself and definitely felt like the first time the studio and money providers had interfered too much. But I suppose they did the best the could with the script that had. Who knows, man.

Mark Venturini and Miguel A. Núñez, Jr. appear briefly in the film (Núñez, Jr. has one of the most memorable scenes I’ve ever seen in a horror film; a scene I quote – or sing, rather – still today.) Núñez, Jr. and Venturini would appear together later the same year in the immortal Return of the Living Dead, alongside Thom Matthews who would go on to play Tommy Jarvis in Friday the 13th: Jason Lives. Hey, speaking of!

So the fans weren’t having the fake Jason thing. And the film ended on a similar note as the previous one – Tommy Jarvis could still potentially turn into a Jasonesque killer with the next sequel.

toms

But thankfully, Paramount came to their sense and told Jason Lives director Tom McLoughlin, “Bring back Jason.” Jason Lives would be the first time in the series where Jason was accepted to be a fully resurrected dead guy (aka “zombie”.)

The Halloween series had to change its course due to a similar fan backlash. Viewers flocked to the theater for Halloween III and left asking, “Hey, where was Michael?” And so, with Halloween 4: The Return of Michael Myers, Michael…well, he returned. And he’s been the focal point since.

McLoughlin, in my opinion, was a good choice to revitalize the Friday series. And even though this film was the first one that didn’t break the $20M mark, I still feel his approach brought a freshness and a self-awareness to the series, something it desperately needed.  In fact, Kevin Williamson (writer of Scream) not only admitted Jason Lives was a huge influence on Scream and its style of referential horror humor, but McLoughlin was initially offered to direct the film (Wes Craven would eventually take the position.)

One of the many references the film makes is comparing Jason to the story of “Frankenstein”.

  • Jason is brought to life via lightning rod/electricity (as was Frankenstein’s monster)
  • This was the first (and only) Friday the 13th film to feature children at the camp (and we know how the monster treats little kids [especially little girls who play by the lake])
  • Tommy Jarvis initially tries to burn Jason’s corpse at the start of the film, and again at the end of the film (Frankenstein’s monster hates fire)
  • There is a gas station in the film named “Karloff’s”

There are plenty of other in-jokes and references, and they only add to the film. And A New Beginning may have had its Shemp, but Jason Lives has a triple decapitation that would make Moe Howard proud.

But as mentioned above, despite being an intelligent, fun, revitalizing entry in the series (and actually enjoyed by the critics) the film failed to make an impact on audiences, as is usually the case with films that are ahead of their time (just look at April Fool’s Day.)

McLoughlin was forced to leave the film open-ended, just in case Paramount wanted to bring Jason back for another one. And they would. And they did.

Join me for tomorrow’s article, “Psycho vs. Psychic, Kane Hodder, & Jason at Sea”, which covers both Friday the 13th VII: A New Blood and Friday the 13th VIII: Jason Takes Manhattan!

Hockey Masks, the 3D Boom, & Final Chapters!

title

There was a time, long before CGI (and modern 3D techniques), where placing a piece of red cellophane in front of your left eye and a piece of blue cellophane in front of your right eye was the zenith of stereoscopic technology. And that methodology stuck for over 50 years. Seriously – that was it, man.

I remember being 7 years old and seeing Freddy’s Dead: The Final Nightmare in the theater. The film was released in 3D – well, parts of the film were in 3D – but going into the movie you got these cool little cardboard glasses. Whenever one of the 3D parts was about to happen, there would be a little dialogue at the bottom of the screen that said, “Please put on your glasses now”. I was so afraid that if I wore the glasses during parts that weren’t 3D, I’d damage my eyes, just screw ’em up beyond repair. That was one of the most thrilling moviegoing experiences of my life.

Looking back now, as a jaded adult – sure, the movie kinda stinks. And being excited by that type of technology now would be like freaking out over a flip-book. But at the time, in 1991, it was a goddamn epiphany.

But the early days of 3D film were no treat. In order to pull off the effect, two prints had to be projected simultaneously – and be perfectly in sync. Otherwise, audiences would just see a blurry haze of colors and shapes. Due to its time consuming and cost-ineffective nature, the golden age of 3D films (the 50s and early 60s) was brief.

However, come 1981, 3D films became the craze once again. In fact, 20 3D films were released in a 3-year period. And horror took full advantage.

3d-posters

Originally, producers hadn’t planned to do Friday the 13th Part 3 in 3D. Instead, they did what they’d been doing from the beginning and decided to rip-off another film for inspiration, this time Halloween II, which had come out the previous year. The third installment of the Friday series was supposed to take place in a mental hospital, where Ginny – the final girl from Part 2 – was holed up. Jason would hack down any doctors or orderlies that got in his way until the final showdown between he and Ginny. Funny enough, A Nightmare on Elm Street 3: Dream Warriors (which would be released 5 years later), did take place in a mental hospital. I do love the tenuous strings that connect all these films together!

Interestingly, there was initial discussion of filming Halloween II in 3D; (producer Debra) Hill said:

“We investigated a number of 3D processes … but they were far too expensive for this particular project. Also, most of the projects we do involve a lot of night shooting—evil lurks at night. It’s hard to do that in 3D.”

That anecdote is coincidental because, just last year, there was talks of a third installment to the Halloween reboot – and producers wanted to do it in 3D. While news surrounding the sequel has been scant, there’s reason to believe the 3D plans have since been quashed.

But back to Friday the 13th Part 3: once the Friday producers saw how much Comin’ At Ya! – the first 3D film of the 80s – made at the box office, they knew what they had to do.

Friday the 13th Part 3 was apparently a pain to make – blocking, setting up cameras, harsh lighting, multiple takes – all due to the 3D cameras they were using. It also cost a fortune just get into theaters, as Paramount had to pay to equip them with the extra prints and projectors. That one hang-up alone cost an estimated $8 to $10 million extra dollars. Of course, it made all that money back and then some.

But Friday the 13th Part 3 is historic for reasons other than being filmed in 3D:  it’s the first time Jason wears his iconic hockey mask. 

At the end of Part 2, Jason’s bag (which he wore over his head) had been torn up and was therefore no good. So for the entire first half of Part 3, Jason walks around without a mask.

Enter afro-ed merry prankster Shelly Finklestein (sounds a bit like ‘Mary Shelley’s Frankenstein’, no?). Shelly has at his disposal an endless supply of goofs and gags that he uses to torment his friends with. Things like fake knives, meat cleavers, and scary masks. His friends think he’s a jerk, but as Shelly puts it, “Being a jerk is better than being a nothing.” Oddly, he also has a hockey mask stashed in his bag of pranks. After Shelly is killed, Jason takes the mask – and the look would become synonymous with the name ‘Jason Voorhees’ for the rest of the series.

Now, producers claim their inspiration for Jason’s masked look came from when they were doing make-ups tests: they were lazy and didn’t wanna apply the make-up to the actor playing Jason, so instead just threw a hockey mask on him, and boom, a legend was born. But I call bullstuff.

A hockey masked killer would show up twice before Friday the 13th Part 3 – one as early as 1974. That film was Act of Vengeance:

tumblr_inline_njq3zuJH5X1qg31yk

The next time it popped up was when Part 3 was being filmed, in the movie Alone in the Dark:

tumblr_inline_njq40tvI121qg31yk

I explored this obsessively in another article (actual, two articles), but I’m saying here and now: considering how blatantly derivative the F13 series is, I ain’t buyin’ their mask story. But I reluctantly digress. At least Part 3 had that kickass opening disco tune.

The ending of Friday the 13th Part 3 was supposed be just that: the end. There were no intentions of making a fourth film. In fact, the end of Part 3 mirrored the end of the original film exactly – with corpse popping out of the lake and grabbing our final girl, only to have it turn out to all be a dream. But just as they couldn’t help themselves that first time around, producers decided yet another sequel was necessary, and thus Friday the 13th: The Final Chapter was released.

So convinced that this was actually, really, truly going to be the final Friday film, original special effects artist Tom Savini agreed to come back just to kill off the monster he’d help create. Producer Frank Mancuso Jr. saw that the slasher craze was starting to settle down, and he didn’t want to be pigeonholed as simply a ‘horror producer’, so with financiers and even Paramount Pictures having his back, Mancuso Jr. decided to finally send Jason to Hell. Yeah, right.

Look, as I mentioned in the intro, I saw Freddy Krueger get killed off for good, too. (And in 3D, to boot!) The movie was called Freddy’s Dead: The Final Nightmare, for Pete’s sake (sorry, Pete). I’ve seen the book closed on all the big ones. I watched an underground bunker collapse on Leatherface, sealing his fate. He didn’t make a peep for years. And I saw Michael Myers perish in a hospital fire.

When asked in a 1982 interview – after the release of Halloween III: Season of the Witch – what happened to Halloween main characters Michael Myers and Dr. Loomis, John Carpenter answered:

“The Shape is dead. Pleasence’s character is dead, too, unfortunately.”

But money talks, baby. It screams. And when you can make a profit of $30M off a little a slice-and-dice, it’s kind of a no-brainer.

Also Friday the 13th: The Final Chapter introduced Tommy Jarvis. And he was just gettin’ started!

Join me tomorrow for my next installment, “Shemps, Tommy Jarvis, and the Modern Prometheus”!

(For more on this week’s series, check out my prior installment, “Killer Moms, Sequelitis, & Bagheads”!)

Killer Moms, Sequelitis, & Bagheads!

F1&2

I remember hearing that story when I was younger, the one about the mom who was filled with such maternal adrenaline after witnessing her kid get trapped under a car, that she was able to lift the car off her kid all on her own. Apparently, a mother’s love for her child is a powerful and scary thing – so best of luck to you if you happen to put their child in harm’s way…or worse.

During the mid and late-70s, there was sort of a boom when it came to psychotic-and-overprotetctive-moms in film. It started overseas with the Italian giallo film Deep Red (1975) (this is interesting because the giallo movement would be a direct influence on the American slasher craze, especially the early Friday the 13th films. Deep Red and Friday the 13th share another random bit of trivia: at the end of Friday, after Mrs. Voorhees gets a little taken off the top, we see her hands ball up into fists; these are actually special effects assistant Taso Stavrakis’s hands. Conversely, the closeup shots of the female killer’s hands in Deep Red, clad in black leather gloves, were performed by director Dario Argento.)

The killer mom trend continued with Carrie (1976), The Brood (1979), and Mother’s Day (1980).

moms

All of these films saw the mother either:

  • being driven to kill because someone had wronged their child
  • being driven to kill because their child had wronged them
  • birthing hideous, tumor-like growths that develop into little murderous albino kids (that’s The Brood)

Then in 1980, Friday the 13th was released – a little low-budget film that was intended to cash in on the success of the ultimate low-budget slasher, Halloween. For those of you visiting from another planet, the film is about a mother who avenges her child’s death by killing off the counselors at the camp he drowned many years before.

But as for a sequel? There weren’t plans. The film was meant as a stand-alone. Here’s what Friday writer Victor Miller had to say about the film:

“I took motherhood and turned it on its head and I think that was great fun. Mrs. Voorhees was the mother I’d always wanted—a mother who would have killed for her kids.” Miller was unhappy about the filmmakers’ decision to make Jason Voorhees the killer in the sequels. “Jason was dead from the very beginning. He was a victim, not a villain.”

In addition to Deep Red and Halloween, Friday the 13th ripped an idea from another infamous horror flick, Carrie. No, not the pig’s blood. I’m talking about the final dream sequence. In fact, the idea of Jason appearing at the end of the film was initially not used in the original script, and was actually suggested by makeup designer Tom Savini:

“The whole reason for the cliffhanger at the end was I had just seen Carrie, so I thought that we need a ‘chair jumper’ like that, and I said, ‘let’s bring in Jason.'”

The final scene from Carrie was actually inspired by the final scene in Deliverance, but alas that’s how the world of horror goes: reduce, reuse, recycle.

jump

 According to Victor Miller, Jason was only meant as a plot device and not intended to continue on his mother’s grisly work. But then sequelitis struck, and well, we all know how that goes.

The initial ideas for a sequel involved the Friday the 13th title being used for a series of films, released once a year, that would not have direct continuity with each other, but be a separate “scary movie” of their own right. If that sounds familiar to you horrorhounds, it’s because Halloween (the film Friday was originally trying to emulate) was toying with the same concept. This is what Tommy Lee Wallace, director of Halloween III, said about the Halloween sequel and future of the series:

“It is our intention to create an anthology out of the series, sort of along the lines of Night Gallery, or The Twilight Zone, only on a much larger scale.”

Friday producers insisted that the sequel have Jason Voorhees, even though his appearance in the original film was only meant to be a joke. And so, in 1981, Friday the 13th Part 2 was released. Halloween II was released just five months later.

Like the dead teens from the first film, the proposed sequel was already busy creating another heap of casualties: the entire team that had created the original. No one came back – not director Sean Cunningham, not writer Victor Miller, nor special effects maestro Tom Savini. Director Steve Miner came on board to take over, with Ron Kurz writing (Kurz had done uncredited writing on Friday the 13th.)

For Jason’s big screen debut, the production team decided to model his character after the killer from The Town That Dreaded Sundown by throwing a burlap sack over his head.

town

This ‘baghead’ look actually became popularized back in 1957, in the first episode of Perry Mason, “The Case of the Restless Redhead”. Coincidentally, 1957 is the same year of young Jason Voorhee’s supposed drowning.

bag

Since the release of Friday the 13th Part 2, the look would become synonymous with scary villain and would pop up in horror films like The Strangers, Triangle, and even westerns like The Assassination of Jesse James by the Coward Robert Ford.

bags

The look was even the basis for the semi-parody mumblecore film, Baghead, starring indie darling Great Gerwig.

Friday the 13th Part 2 would ‘borrow’ from the giallo movement once again. Two of the more memorable scenes – one including a machete to the face, the other seeing two lovers speared simultaneously – were lifted directly from Mario Bava’s Bay of Blood.

This was the first and last time Jason Voorhees had any sort of motivation for his killings, and therefore the last time he’d be portrayed as an empathetic character. The series began tragically – a boy drowning, his mother avenging his death, and then that same boy later avenging her death. But as with most franchises (especially A Nightmare on Elm Street and Halloween), the future sequels lose sight of what the characters original motivations were. But when your villain is 8 or 10 sequels deep, you’re bound to muddy the waters a bit.

Join me for my next installment where I visit the next two Friday the 13th sequels, with “Hockey Masks, the 3D Boom, & Final Chapters”!