“Clown” (2014) REVIEW

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I don’t find clowns scary and I never have. I never understood people who were afraid of clowns. It always seemed like one of those universal fears — like a fear of the dark — that everyone seemed to share. Fear of the dark, I can understand that. But a fear of clowns? I always thought the fear of clowns was a silly and cliche thing. How is a guy in a rainbow wig and make-up scary? Sure, maybe Wizzo was pretty scary. And John Wayne Gacy. But in general, the idea of clowns never affected me. That being said, if you happen to be one of those people who are afraid of clowns, this movie will probably destroy your life.

Clown (2014) gets down to business pretty quick: it opens on a child’s birthday party; Meg (Laura Allen), mom of the birthday boy, gets a call that the clown she ordered has to cancel last minute. Meanwhile, the dad, Kent (Andy Powers), is a real estate agent who’s onsite cleaning up a house he plans to sell. He calls to let his wife know he’s coming home soon, she mentions the clown canceling, and Kent — playing the role of Superdad — says not to worry, that he’ll handle it. Luckily, he happens to spot an enchanting chest in a mysterious back room which just so happens to contain a bizarre jumpsuit and — believe it or not — a wig and a red nose. He slaps it on, makes it home to wow all the kids at the party, and as the evening comes to a close, falls asleep with the whole get-up still on.

In the morning, he awakes to find that he’s still dressed up and having trouble taking off the wig, nose, and outfit. Late to work (and in taking his kid to school), Kent leaves everything on and runs out the door. Once he drops his son, Jack (Christian Distefano), off at school and makes in to work, he then resumes attempting to remove everything. Unfortunately for Kent, it’s stuck, and it looks like a career change is on the horizon: entertaining at kids’ birthday parties in Hell.

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The first few minutes of the film require a lot of suspension of disbelief. The fact that he happens to find this costume right after his wife tells him they’re in need of a clown is almost laughably lucky. Add to that the fact that Kent, for whatever reason, wears the wig and clown nose for the first part of the next day — and doesn’t seem to even be remotely panicked or concerned with his appearance — also demands the watcher to look the other way. But once the ball finally gets rolling, it doesn’t slow down.

I was actually really impressed at how the film handles its pacing. Seeing as the shit hits the fan almost immediately — within the first 20 minutes of the 100 minute film — I was wondering how they were going to maintain the tension for the remainder of the movie, but they manage to pull it off. The film keeps gaining speed, upping the stakes as we watch the desperate and confused Kent transform from a loving father into a murderous, child-eating monster. Did I mention the Clown likes to eat kids? He does.

Also impressive is that this is the big screen debut from writer/director Jon Watts. He also wrote and directed 2015’s Cop Car, which is a complete 180 from Clown, both visually and in subject matter and tone.

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To me, the scariest part of Kent as the killer clown isn’t his final transformation (although it is awesome): I think the scariest part is when he’s in transition. Wearing a knit cap, a trenchcoat, and garbage bags duct taped over his feet — while still sporting the white face and red nose — he looks terrifyingly creepy. Add to that the fact that he’s often shot in shadows or under the cover of night makes him far, far scarier than any clown I’ve ever seen.

Clown is one part IT and one part The Fly, and that makes for a killer combination. Whether you find clowns scary or not, you should get a thrill out of this movie. Doc sez: two severed thumbs up!

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WIKI WEDNESDAY – H.H. Holmes

Welcome to Wiki Wednesday (say that five times fast), where each Wednesday I’ll share an article from the dubiously encyclopedic website. Sometimes it’ll be topical, sometimes random — either way, maybe you’ll walk away having learned something new. Can’t be any worse than what they’re teaching kids in schools these days.

H.H. Holmes (the original Triple H) is considered to be America’s first serial killer. In all, it is estimated he killed near 200 people during his lifetime. He murdered a majority of them during Chicago’s World’s Columbian Exposition, in a ‘hotel’ he had built which was later dubbed his “Murder Castle.” Click below to read all about his macabre past-times.

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New Thoughts on THE TEXAS CHAIN SAW MASSACRE (1974)

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I love The Texas Chain Saw Massacre. I first saw it as a teenager and was immediately blown away. It was so different than any other horror film I’d seen up until that point. I’d been raised on slick, accessible franchises like Friday the 13th and A Nightmare on Elm Street, but The Texas Chain Saw Massacre was gritty, sweaty, caked in blood. It was unpredictable, unrefined, and dangerous. From that point on, it became my favorite horror film. It still is. Honestly? It will forever be. Continue reading New Thoughts on THE TEXAS CHAIN SAW MASSACRE (1974)

Remembering… Cracked Monster Party & Monsters Attack!

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A small section of Dr. Jose’s personal (very used) collection.

Growing up, I’d say most of the things I was consuming artistically fell under one of the four following categories: funny, gross, weird, or scary. Funny like The Three Stooges, “Weird Al”, and MAD Magazine; gross like Ren & Stimpy and Garbage Pail Kids; weird like Liquid Television and Pee-wee’s Playhouse; scary like Fangoria Magazine and the vast amount of horror flicks I watched as often as possible.

The most magical and exciting items from that nascent period were the ones that blended one or more of the aforementioned tastes. It’s hard to explain but to my developing and easily-awed brain, by combining such weird and creative preferences, it was as if someone really got it, somehow understood me personally and intimately, and was able to cater to my individual tastes. Things like the Garbage Pail Kids and Liquid Television, those were mine. Too weird and arcane to be understood or appreciated by the masses. Were other 9-year-olds enjoying those things, too? Of course. Adults, as well. But little me didn’t think that: there was no way other people — especially kids my age, my peers — could possibly be comprehending these things and enjoying them the way I was. I suppose this is the point when nostalgia starts germinating in our small bodies and turns into some sort of weird, protective ego in our adulthood. Or maybe I was just a screwball kid, who knows. Continue reading Remembering… Cracked Monster Party & Monsters Attack!

“Nurse” (2014) REVIEW

This week, actress Paz de la Huerta sued the makers of Nurse (a film she starred in) for $55M, claiming it destroyed her career.

Now, I know what you’re thinking: does her name mean “orchard of peace?” Why yes, it does!

For the 7.125 billion of you who don’t know who Paz de la Huerta is, you’re not alone. Neither did I. I mean, I’d seen her name pop up on gossip sites occasionally (I think?) or in magazines; I knew she existed. I have a friend who lives in Texas who would occasionally post on Facebook that he was at ‘Paz de la Huerta International Airport’, which I’d assumed was a joke — and after Googling it, yes, I do believe he was joking, even though the name “Paz de la Huerta” is attached to several buildings in Texas — so ultimately, I’m left even more confused about Ms. de la Huerta than I was before. Maybe I’m just an out-of-touch old fogey. I digress.

With her outrageous claim fresh in my mind, I was intrigued: I wanted to see if this movie was bad enough to ruin one’s career. Nurse 3D had been sitting in my Netflix Streaming queue for months, but I wasn’t really itchin’ to watch the thing. Alas, I plopped down and turned the sucker on.

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The story centers around a nurse (if you couldn’t tell from the title) who develops an infatuation with a female co-worker. The infatuation grows and turns into this weird blackmail/stalker-type deal, and eventually it comes out that this creepy nurse is actually crazy and using a false name. Oh, and she’s been killing men for sport the whole movie.

Now, if that description didn’t make it immediately clear, the movie suffers from something a lot of bad horror films suffer from (especially recentish ones): too much going on. To me, it’s a sign: it shows a director who lacks the confidence to tell a simple, straight-forward story, and so they just throw a bunch of crazy shit at you as if that’s all it takes to make a movie interesting/scary/good. Just pile it up; bog the audience down so by the end of the movie they have no idea what the fudge is going on and leave confused — which is better than them leaving bored.

Nurse 3D starts very promising. We see a provocatively dressed Paz, slinking sexily through a nightclub and we hear her narration. She talks about how she can’t stand men who cheat, and how it’s her job to kill them and wipe that type of scum off the face of the earth. Great start, right? We see a guy notice her; he slips off his wedding ring and puts it in his pocket. He approaches Paz, buys her a drink. She turns him down and walks away. She narrates: “I always give them one last chance”, (meaning “to save their own life.”) The guy stands up and follows her outside. She kills him. Here’s why that works: He approaches her; he seeks her out; she turns him down, but he persists and seals his own fate. Unfortunately, the movie immediately abandons this solid concept and regresses into standard horror movie mush, and she ends up just killing dudes, even the ones she aggressively seduces. No longer do we empathize with her mission. It’d be like if Jason Voorhees went door to door, asking parents to send their teens to his camp.

So with its great promise abandoned, the movie devolves into typical slice and dice, with full frontal female nudity thrown in to keep watchers awake. By the end, Paz is completely batshit insane. The climax — which happens to be the best part — takes place throughout a busy hospital. It’s incredibly over-the-top. Unfortunately, since the previous 95 minutes were already cranked to an 11, the outrageous ending feels more excessive and overblown than anything.

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So the final verdict: could this movie ruin someone’s career? Not hardly. Leprechaun didn’t ruin Jennifer Aniston’s. Critters 3 didn’t ruin Leonardo DiCaprio’s. Attack of the Killer Tomatoes didn’t ruin George Clooney’s. And Texas Chainsaw Massacre: The Next Generation didn’t ruin Matthew McConaughey’s. Paz, this one’s on you, dollface. The weird thing is, her acting is so otherworldly and bizarre that it transcends “bad”. It’s not bad in an amateurish way; it’s like nothing I’ve ever seen. It’s cryptic and indecipherable, as if she read her lines from the Voynich Manuscript. And in a strange way, it captures your attention; you are unable to look away. It reminded me of Shelley Duval’s performance in the under-seen and absolutely incredible 3 Women.

One last thing to note: the director thought de la Huerta’s acting was so bad that he actually had another actress dub many of her lines. Normally, this wouldn’t be a problem. However, a good chunk of Paz’s lines are narration, and the actress they chose to dub her lines sounds nothing like Paz de le Huerta, so there were many times when I thought the other lead female in the movie was doing the narrating. This led me to believe there was going to be some crazy, Fight Club-type twist at the end where this second female lead and Paz would be revealed to actually be the same person. But no, it was just a bad voiceover.

In terms of “what’s the most boring profession we could film in 3D?”, this falls somewhere between Electrician 3D and Carpenter 3D. It’s a totally passable entry in the modern B-movie arena, but in the end it just doesn’t know what it wants to be: slasher, psychological thriller, or soft core Skinemax fare circa 1995. It’s currently on Netflix Streaming; check it out if you dare.

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“Creep” (2015) MOVIE REVIEW

Finally, Jason Blum has produced a movie I like! Okay, okay: I like a few of his movies. And sure, it’s still a found footage deal, but at least it drops all the overwrought ‘paranormal’ bullstuff.

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By design, ‘found footage’ movies should be stripped down and straight-forward, and a very easy thing to pull off. Camera, people, conflict. Simple! Yet time and time again, producers and directors fudge it up beyond all logic. Unexplained jumps in time, having the camera always pointed in the right spot at the right time (every time!), and perhaps most forehead-smacking of all: music! And I’m not talking about music being played on a radio in the movie, I’m talking about interstitial horn stabs and ominous strings throughout, because how are you going to know the movie is scary unless there’s a big crash of music when something scary happens? Obviously it’s because they’ve created a shoddy, empty product and need to attach all the bells and whistles to distract you the viewer from noticing just how unscary (or uninteresting) their movie is. Thankfully, Creep avoids all of these distractions.

The movie sees Aaron (Patrick Brice, who also wrote and directed the movie), a freelance videographer, answering an online ad where the only information is essentially, “Looking for someone to film for 8 hours, easy work, $1000.” He soon finds himself at a remote cabin with a complete weirdo (er, I mean, creep), Josef, (played by Mark Duplass who also helped write the movie) who claims he’s dying of cancer and is hoping to film a memorial video for his unborn son, à la My Life.  At first, Josef seems like a clingy, desperate, lonely guy — but soon things go south. And that’s all I’m gonna say.

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Now, I’d seen the teaser prior to watching the movie, and I gotta say: I wasn’t into it. And when I started the movie, I was still on the fence. But slowly the movie started to take effect and I found myself deeply immersed. One of the great things about Creep is constant surprises. You never know where it’s going or what’s going to happen. And after finishing the film, I really appreciated the aforementioned vague teaser I’d seen because it didn’t spoil anything. That’s something I miss about the extinct respectful relationship between trailers and movies (and moreso now, viewers and movies): being shocked and surprised — and really enjoying the product, as a result — because it hadn’t been spoiled beforehand. It kept me guessing until the very end, and I can’t say that about a lot of movies.

As I’d mentioned earlier, this movie finally gets ‘found footage’ right, if you’ll even consider it ‘found footage’ (anything with a shaky cam and people addressing the audience directly pretty much constitutes ‘found footage’, right?) No music, only two leads, and (thankfully) no ghosts or paranormal stuff. Since Duplass is the king of “mumblecore” and has already filmed a similar handheld semi-horror flick (mumblegore? Mumblehorr?) Baghead, this movie is perfect for him, and he obviously knows how to handle the role. What I wasn’t expecting, however, is just how truly terrifying Duplass could be.

When I started the movie, there were a few places where I thought “Why doesn’t Aaron just leave?” or “There’s no way Josef would act that way.” But as I kept watching, I started to realize that I knew people like Josef, and I’ve found myself in the Aaron role many times. You’re in a situation you don’t want to be in, but you feel bad for the person you’re with, so you willingly ignore logic just to be a good person, an empathetic person. Even when there are big, red warning signs saying “run, now!”, you go along with it just so you don’t inconvenience that person.

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By the end it had me thinking, “just how many seemingly nice and normal people do I encounter everyday who are completely and utterly unhinged?” It kinda freaked me out. That fact combined with all the handheld camera stuff also got me to thinking about Ricardo López, the dude who stalked Björk. He recorded a lot of home video tapes — essentially video love letters — for the singer. But in the videos (which are incredibly disturbing [and available on Youtube!]), you see López start out as this lonely, desperate, sad guy…and watch him devolve into this dangerous, blood-thirsty lunatic. It’s horrifying. And realizing that, yeah, anyone can come unglued if the paper ain’t sticky enough? That might be scarier than anything else.

Lastly, this is apparently the first in a trilogy of Creep movies. If they end up being half as scary as Creep was, I’ll be a happy camper.

Creep is available on VOD and Netflix Streaming, so watch it now! But leave the lights on!

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Horrorstuffs & humor / don't tell yer granny