“The Burning” (1981) REVIEW

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The Burning was released shortly after Friday the 13th and has often been called a ‘rip-off’, but that isn’t the case — despite several glaring similarities.

Yes, both are set at a summer camp (Burning in New York, Friday in New Jersey); the antagonist in both films is a lumbering, disfigured unstoppable monster; and, oddly enough, Tom Savini did the make-up for both films (to GREAT effect, I might add). But despite the similarities, The Burning is actually quite a refreshing watch after seeing the Friday canon about a hundred times over.

The film sees a hapless janitor (named Cropsy) fall victim to a prank gone awry, wherein he is severely burned and disfigured. However, he survives — and after laying low for awhile — decides to exact his revenge on some kids at the same camp. The weapon he chooses to maim the kiddies — pruning shears — is particularly brutal.

This film is notable in the fact that it stars future names like Holly Hunter, Jason Alexander, and Fisher Stevens. Not only that, but it was written by Harvey Weinstein (yes, that Weinstein) and produced by his brother Bob. In fact, it was the first movie produced by their company, Miramax. It was also produced by a very young, pre-Paramount CEO Brad Grey.

If you like it when slashers attack kids at camp, but need a break from ol’ Jason, give Cropsy a try.

“Blue Sunshine” (1978) REVIEW

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I’ve been trying to include movies that I rarely or never hear mentioned when ‘top horror’ lists are named, and Blue Sunshine is one of those films. I only recently saw it, and I really enjoyed it.

The year is 1978. Disco is in full effect, polyester is the preferred material — everything is groovy. That is, until, certain people start suffering psychotic episodes where their hair falls out and they turn into murderous maniacs. A man, Jerry (played by a pre-Skinemax fame Zalman King), is wrongly accused of one of the murders and goes on the run. While evading the authorities, he tries to get to the bottom of these psychotic episodes. He soon uncovers the cause — 10 years earlier, a group of college students had taken a bad batch of acid called Blue Sunshine that eventually leads to their mental breakdown.

It’s a great premise for a horror film as it plays on our natural, human fears (“drugs are bad!”). Plus, there’s a bit of social commentary in there: what if your late, great 60s weren’t so great after all, and something you did during the Summer of Love came back to haunt you many years later?

The movie is pretty freaky, lots of weird imagery. I don’t know what it is, as I normally don’t consider bald people or baldness itself terrifying in the least — but the bald maniacs in this film are truly unsettling. An oft overlooked gem that’s worth a watch.

“Terror Train” (1980) REVIEW

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This is another movie I only saw recently and don’t know why I waited so long to do so. The movie cashes in on the late 70s/early 80s slasher genre, even casting Jamie Lee Curtis in the lead — and it’s a good one.

The movie goes like this: During a New Year’s party, a pledging pre-med student is lured into a room by his frat brothers under the pretense of some sort of sexual activity. It turns out to be a prank however, and the student finds a cadaver in the room instead. He’s horrified, traumatized, and as we find out, sent to a psych ward.

Years later (on the three-year anniversary of the prank), the class graduates and members of the frat (and sister sorority) take a train (for some reason, I’m not sure), and it’s also a costume party (again, not really sure why). They also have a magician (again, really not explained) played by THE David Copperfield. In fact, as the kids start being brutally murdered one by one, ol’ Copperfield becomes a suspect.

I won’t give away the ending…because it’s actually a surprise ending, and a really good one at that. The filmmakers did a great job on this considering it’s set in one location for the whole film.

“Bad Dreams” (1988) REVIEW

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Even though this movie steals a major plot point from A Nightmare on Elm Street 3 (a burned boogeyman haunts the minds of several patients at a mental hospital), and went so far as to cast ANOES3 tough cookie Jennifer “I’m bad…and beautiful!” Rubin in the lead — it’s still a fun watch, not to mention, shot really well. I love it and remember seeking it out after seeing it on TV once.

Rubin is a young teen in the mid-1970s, and she’s part of a cult. The leader – played by the late, great Richard Lynch – decides it’s time everyone sacrifices themselves by self-immolation. Rubin reconsiders, as burning to death isn’t her thing, and she tries to escape. The house explodes, killing everyone…except Rubin who is merely put into a coma. Ten years later, Rubin emerges from the coma. Worried that she might have issues adjusting (or may still have some nasty memories of the incident), she’s incorporated into a group for troubled teens and adults. Eventually, Rubin starts having visions of Lynch — charred up like a hot dog on the grill too long. But his presence is also followed by the deaths of the group members. The staff attributes it to suicide (these are troubled people, after all), but Rubin knows better. Now if only she could convince them it’s actually her long dead cult leader doing the killing.

The movie is an easy watch. The acting is fine and the effects are cool, and thankfully, it doesn’t drag. It also stars a couple 80s hot properties at the time, like EG Daily and Dean Cameron (‘Chainsaw’ from Summer School). Plus, Richard Lynch gives such a terrifyingly creepy performance – before, as the cult leader, and after as the burned up bad-guy.

If you’ve never seen this movie, it’s definitely worth a watch. It’s your standard entry level 80s horror fare.

“Them” (2006) REVIEW

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There are two genres of horror that really start me up: inbred hillbillies and home invasion. I don’t know what it is, but I can’t get enough of them.

Them (or Ils as it’s called in it’s native country) is a super tense, super scary French home invasion movie from 2006. The pacing is great, aided by the fact that the movie is a concise 74 minutes – trimming all the fat and getting to the action almost immediately and maintaining that agonizing momentum for the rest of the film.

A young teacher meets up with her boyfriend at a new summer home she’s renting in the country. That night, without warning, the couple start being antagonized by a group of outsiders. They struggle to keep the invaders at bay while trying to figure out a way to safety.

The movie, as I said, is a solid 74 minutes of thrilling horror with a great reveal at the end. What I really appreciate is that this film strayed from the New French Extremity movement which was super popular at the time. Not much violence or brutality, which I find refreshing. Some some good old fashioned razor-wire tension which can be far scarier than a bucket of blood.

“From Beyond” (1986) REVIEW

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Stuart Gordon (along with his partner in grime, Brian Yuzna) give Cronenberg a run-for-his-money when it comes to body horror. There’s no better example than the twisted, oozing, pulsating beast that is From Beyond. Gordon and Yuzna adapted this H.P. Lovecraft story, and it stars genre-staples Jeffery Combs, Barbara Crampton, and Ken Foree — this movie is a win-win-win.

Two scientists (Combs and an ultra-sleazy Ted Sorel) tinker with a machine that is supposed to stimulate the pineal gland. Some shit goes down, and Sorel is sucked into a netherworld, gone without a trace. Combs hires a couple detectives to find out what’s going on, but all hell breaks loose when the machine is turned back on. Not only are Combs and the detectives now able to see (and be attacked by) strange creatures that exist in this alternate dimension, but Sorel returns — only he’s super deformed and even hornier than before.

This is one of those movies where the imagery is so utterly sweaty and slimy and weird…it just sticks with you. Once again, I saw this as a child and was scarred for life…but in a good way. One of the great horror films of the 80s.

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