Tag Archives: 70s

MIDNIGHT SLASHER MIX!

Awooooo! Careful, mutants! I think you’re being followed…

You’re walking home alone one damp and dreary night. You see shadows dancing on the walls, hear advancing footsteps on the pavement, and feel heavy breathing on your neck. But by then, it’s too late!

This is the soundtrack for all the late night maniacs out there. Beware! (Click the pic to hear the tunes!)

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Who’s Walter Paisley?

titleIn 1959, up-and-coming actor Dick Miller starred in the film A Bucket of Blood, an hour-long black and white horror flick set during the beatnik heyday, directed by prolific filmmaker Roger Corman (at that point, Corman had already directed over 20 films in the three short years he’d been making movies); it would prove to be a serendipitous meeting, one that would spawn a character that Miller would end up playing several times over the next 35 years.

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In A Bucket of Blood, Miller played ‘Walter Paisley’, a struggling artist who tries desperately to make his mark in the bourgeoning Bohemian art scene. It’s only after ol’ Walt starts killing people and pets alike – and covering them in clay – that he finally gets noticed and starts receiving the attention and accolades he’d wanted for so long. But that was only the beginning for that character. Here’s what Dick Miller recalled about playing Walter Paisley after A Bucket of Blood in a 2012 interview:

“When it first happened, or when it second happened, I didn’t think much of it. [Director Joe Dante] says, “You’re Walter Paisley!” I say, “Again?” He says, “It’s just a name, it’s not the character.” I said, “All right, fine.” I didn’t think about it. And then the third time it came up, he said, “You’re Walter Paisley!” I said, “Oh yeah?” It started to build, it was an inside joke. And by the fourth time he says, “You’re Walter Paisley,” I’m saying, “What is this? Every time there’s no name for the character, I become Walter Paisley.” He says, “So what, it’s an inside joke.”

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And so it was. In 1976, Joe Dante – at the time, an unknown assistant to the aforementioned Corman – made his feature film directorial debut with the Corman-produced Hollywood Boulevard. Keeping the camaraderie going, Dante decides to name Miller’s character ‘Walter Paisley’, and with this nod to his boss, Dante would set in motion an in-joke that would pop up in another six films!

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Dante would resurrect the Paisley character in 1981 with his awesome werewolf flick The Howling. In the film, Paisley is the owner of an occult bookshop. His role is a pivotal one: he not only provides the protagonist with all the necessary information on how to stop the werewolves…but also the silver bullets to actually get the job done. Miller claims this is one of his favorite roles. The movie also has cameos from Roger Corman, as well as sci-fi cornerstone Forrest J Ackerman (Miller would later play a character named ‘Mr. Ackerman’ in an episode of ER.)

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Once again, under the direction of Joe Dante, ‘Walter Paisley’ makes yet another onscreen appearance – this time in the 1983 classic Twilight Zone: The Movie. It’s a brief appearance, as the Paisley cameos sometimes are. This time, Walter is the proprietor of a little diner. He pops up in the third segment of the film which is entitled, It’s a Good Life. Blink and you could miss him.

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 1986 would prove to be the most active year yet for the character, seeing him show up in two films released just a few months apart. The first was the Corman-produced Chopping Mall from director Jim Wynorski. Walt, a mall janitor, is electrocuted to death by the security robots that are running amok through the shopping center. Paisley isn’t the only fictional character to be carried over from another film to this one. In an odd inclusion, Paul Bartel and Mary Woronov reprise their Eating Raoul characters, ‘Paul & Mary Bland’. The film also stars genre staples Barbara Crampton, Angus Scrimm, and Gerrit Graham.

(Fun Fact: Woronov, Bartel, Graham, Miller, as well as Roger Corman and Joe Dante, had all previously appeared together in the Bartel-directed Cannonball!)

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 Just a couple months after his appearance in Chopping Mall, the Paisley character would pop up again, this time in the Fred Dekker-directed genre bending Night of the Creeps. Paisley is a cop in this film – a role Miller would end up playing in a majority of his movies. Night of the Creeps is intentionally a very referential film, including naming all of the characters after famous horror directors, having Greg Nicotero and Howard Berger play zombies, and even naming the college the kids go to “Corman University”. So it doesn’t seem as though Paisley is there within the Dante/Corman universe, but rather is being paid homage to by Dekker.

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Finally we have Rebel Highway, a short-lived television program set during the 1950s that aired on Showtime back in the mid-90s. Each episode ran about an hour and half long, and they were each directed by a different genre director – Robert Rodriguez, John Milius, and William Friedkin – just to name a few. Walter Paisley popped up – playing a cop – in the sixth episode entitled, “Shake, Rattle and Rock!”, alongside the aforementioned Mary Woronov and Gerrit Graham. Curiously enough, Joe Dante would end up directing an episode of Rebel Highway, and would even include Dick Miller, yet the character was named “Roy Farrell”. Makes ya wonder.

So there you have it. Seven times Dick Miller has played “Walter Paisley”. A Bucket of Blood was remade in 1995, with Anthony Michael Hall taking over the lead role. But we all know there’s only one Walter Paisley: that guy Dick Miller.

Criterion Horror Films!

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When I think of The Criterion Collection, I think of high art. I think of pristine celluloid and perfectly framed shots sandwiched between thick, black widescreen bars. I think historic, I think epic, I think intelligence. Nose-in-the-air type stuff.

What I don’t think of is ooze, satan-worshipping, hyper-violence or James Woods sticking his hand inside of his own stomach. But believe it or not, all of those things (and more) can be found under the Criterion umbrella! It’s like going over to the class valedictorian’s house and seeing that they have a Basket Case poster on their bedroom wall.

David Lynch, Brian De Palma, Guillermo del Toro, David Fincher, Danny Boyle, and Paul Verhoeven all have Criterion films to their name (and David Cronenberg has four, wow!)

Here’s a short list of some of my favorite Criterion horror flicks. The list is actually much, much longer – and you can find all the titles on the Criterion site as well as their Wikipedia page – but I thought this little list would be a good place to start.

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I often preach the greatness of this 1973 Nicolas Roeg shocker. Though not outright labeled as one, it feels like a giallo film – due mainly to the mysterious, raincoat-shrouded character Donald Sutherland hunts around the canals of Italy. Solid flick with plenty of twists and freaky revelations.

hausu

The first time I saw this film was in a theater packed full of horror fans, and I’m pretty sure I was half in the bag. The main thing I took away from the viewing was how funny the film was – not only by my own drunken interpretation, but also the uproarious laughter from the crowd. The bizarre imagery, the bits of dialogue lost in translation, the goofy score – what a funny, weird film! However, it wasn’t until last year, when I saw the Criterion analysis of the film, that I came to realize how truly horrifying it is. I suggest watching the film without any insight, and then rewatching it after viewing the analysis.

lamb

Pecker-tucking, cannibalism, airborne semen, the c-word, fat jokes, and Tom Petty’s “American Girl”. All in a Criterion movie! This is definitely one of the more understandable entries on this list – after all, Silence of the Lambs did win five Oscars the year it came out. But that just brings up another great milestone: a horror movie sweeping the Academy Awards!

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As mentioned above, Cronenberg has a staggering four films on the Criterion list. That’s more than Bernardo Bertolucci, Miloš Forman, or Stanley Kubrick! Cronenberg’s other films on the list include Dead Ringers, Naked Lunch, and the amazingly gory Scanners. It’s nice to see body horror, exploding heads, and utter mindfuckery get the kudos it deserves from such a distinguished company.

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This film was so controversial when it was released in 1960 that it effectively ruined director Michael Powell’s career. If that’s not enough to get you to watch this movie, I don’t know what to tell you. I love this flick! It is often compared to Psycho, despite beating that film to the theaters by two months. With wide vocal support from both Roger Ebert and Martin Scorsese, this movie is one of the great proto-slashers. At one point, zomfather George A. Romero was rumored to be remaking it, but so far nothing has come of that. Watch it!

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This is another film that I totally understand its place in the Criterion Collection. It’s beautifully shot in stark black and white, casting ominous shadows over dark secrets like a flawless film noir should. And Robert Mitchum is perfectly terrifying as the murderous con-man trying to swindle a pair of farm kids out of their dead dad’s hidden loot.

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I can understand why waifish middle-class debutante Mia Farrow would be so appalled at discovering she had been incubating Satan in her womb for the past 9 months (spoiler!), but can you imagine if Rosemary had been played by one of those Old Milwaukee-fueled dudines from Heavy Metal Parking Lot? She’d be stoked! As previously mentioned, it’s nice to see devil-worshipping be presented in such a highfalutin way.

saloBased on the synonymous book by the Maquis de Sade, this movie features all sorts of stuff your grandma would probably frown at: sadism, graphic violence, sexual depravity, and forcing little kids to eat platefuls of boom-boom. So naturally it should wind up in the Criterion Collection, a list self-described as “important classic and contemporary films for film aficionados”. Just what I love: artful smut!

Sure, this list loses some of its oomph when you realize both Kevin Smith and Michael Bay both have films on the Criterion list. Kinda makes you wonder who was behind the wheel when those decisions were made. But look: any collection that features The Blob (1958), Invasion of the Body Snatchers (1956), and Fiend Without a Face, and is intended for only the most discerning of film snobs — that’s a pretty dang alright list in my book.

Dr. Jose’s Top 10 on Halloween Love

your-choice-dr-jose-horror-top-tenHalloween Love was gracious enough to ask me for a Top 10 list of horror movies I love – but to provide ones I wouldn’t instantly spit out when asked for a list. Maybe the tertiary ones, the ones that are sitting under a thick layer of dust in my cobweb-filled cranium. The ones that still blow me away even if I don’t immediately think of them.

So go, read! And follow Halloween Love on Twitter and Facebook! Don’t be a dummy, all the cool kids are doing it!