It was the late-’80s, and we were smack dab in the middle of The Great VHS Boom. I believe it was Herbert Hoover who once promised, “a VCR in every home, and a membership to every mom & pop video store” – and that’s exactly what every family (including ours) had. And with the proliferation of VCRs came a wave of home recordings. No rental was safe from being recorded to a blank Kodak tape (or Polaroid, Sony, RCA, Fuji, et al.) You just had to make sure your recording speed was set to LP, and to put a little piece o’tape over that broken tab on the back, and you were in business. Sure, it was illegal. But it was the ’80s, and everyone was doing it. Continue reading STUFF THAT SCARED ME: A Home Recording of A NIGHTMARE ON ELM STREET 3
Aloha, mutants! We’re almost two weeks into July and already suffering all the fun things that come along with being smack dab in the middle of summer: blistering heat, back sweat, and frizzy knuckle hair.
Last year around this time I ran a month-long piece, Drive-In Double Feature, where I had readers submit their dream double features if no rules or restrictions applied. I’ll go out on a limb and say it was a minor “hit”, so I’ve decided to do something similar this year: open the doors and allow faithful CV readers to become faithful CV contributors, if only for a month.
Kicking things off is Stacy Still of Staystillreviews with her Top Summer Movies, and boy howdy she really covers all the bases! I’ll quit my rambling now and allow Stacy to take over. Continue reading SUMMERTIME SCARES! (Stacy Still / Staystillreviews)
ARTISTS BEHIND THE IMAGE is intended to put a name (and sometimes face) to the talented men and women who created the most iconic images to adorn horror VHS boxes and posters from ’70s, ’80s, and ’90s. Their art is vital; it’s the reason I (and many of you, certainly) fell in love with horror movies in the first place. This is not only intended as a tribute, but also a minor compendium, meant to collect their works in one single spot. Corrections, additions, or other info? Email me.
Last week I made my iHorror debut with a piece that focused on the proliferation of ’80s horror movies centered around bedroom closets. One such example, I noted, was Making Contact, a decent but largely forgotten (or ignored) German-cum-US telekinetic kid flick that plays like Spielberg-lite. After the article went up, I saw a lot of people making specific comments about the poster art for Making Contact, which I’d included in the piece. Their long dormant memories of the film had been awoken by the recognizable imagery. Continue reading ARTISTS BEHIND THE IMAGE: Barry E. Jackson
May 2016 marks the 28th anniversary of GOREZONE, the bi-monthly ‘sister’ publication of FANGORIA Magazine which made its debut in 1988. At the time, GOREZONE was intended to act as a sort of companion piece to its more well-known counterpart, covering the bloodier/weirder/more obscure stuff that Fango didn’t. Can you imagine? So many noteworthy horror films were being released, multiple magazines were necessary to cover them all. What a time to be alive!
GZ ran for a brief but bloody 27 issues, ending its run in 1994. Despite a short magazine stand life, it was a hardcore horror fan favorite. It was nastier, slimier, and darker than Fango, and it wasn’t afraid to showcase the splattery stuff, oftentimes as close-up and vividly as possible. Thanks to the powers of nostalgia, GZ was revived in 2013, albeit with one minor limitation – it is now only available via direct subscription. Continue reading Looking Back: the First Issue of GOREZONE!
The A Nightmare on Elm Street series is no stranger to nerdy characters (Will the Wizard Master, anyone?), but what with it being Black History Month and Women in Horror Month, Camera Viscera’s February HORROR NERD OF THE MONTH was a no brainer: Sheila, from A Nightmare on Elm Street 4: The Dream Master. And brother, what a geek! Continue reading HORROR NERD OF THE MONTH — Sheila!
I love talking about the ’80s for nostalgic reasons of course, but more and more I find that I like talking about that decade because I’m awed at just how archaic it seems now; compared to today’s Instant Everything culture where omnipotence is just a click away, the 1980s feel downright Paleolithic. And it’s especially hard for me to remember that the ’80s were 30+ years ago while we as a culture are stuck in this perma-’80s & ’90s closed circuit loop. I’m sure people in 1970 felt light years ahead of 1940, but 2016 feels like it could still be 1983-1997. It’s all very weird. Okay, okay, this old man’ll stop yelling at you to get off his lawn and get to the point. Continue reading The Weird World of WATCH AND WEAR!