Tag Archives: 80s

A Look at the Closetsploitation of the ’80s!

This piece originally appeared on iHorror.com.

The first apartment I ever lived in by myself overlooked a graveyard. I’m not exaggerating: you could go out on the back porch, do your best Camille Keaton impression, and literally spit on someone’s grave. So naturally, it wasn’t long before I – a horrornut living comically close to an abounding necropolis – convinced myself that the studio I had just rented was haunted by my new neighbors.

There were a few incidents early on that put this thought in my head – shelf items rearranged, the occasional unflushed toilet – but considering I was in my early 20s – and therefore often existing in a fog of inebriation – I dismissed these manifestations and chalked them up to my own doing. However, there was one thing I knew I wasn’t causing which was impossible to ignore, proof that my apartment was indeed haunted: the living room closet would occasionally smell like spaghetti.

Weird, I know. Silly, sure. But I’m telling you: that living room closet would reek of spaghetti regularly, far too often to be attributed to the downstairs neighbors’ cooking. And the smell was isolated to the closet! How do you explain that? So I assured myself it was haunted by some pasta-loving ghosts. (I liked to imagine they were stoner-type ghosts, specifically; it would explain the constant spaghetti eating and was a far more fun visual than some spooky old woman or Victorian-era child.)

And that’s the great thing about being an adult: I lived next to a graveyard, was convinced my closet was haunted, and it was all somehow very funny to me. But it’s different when you’re a kid. I can’t speak for kids today, but for me – a kid growing up in the ’80s – monsters were very much real, and their favorite places to hide were under the bed and in the closet. And Hollywood – especially during the ’80s – was acutely aware of this.

Prior to this, horror films had shown us closets were a place one might actually consider hiding from the monsters that were after us, but once the ’80s rolled around there was a proliferation of movies that made the closets themselves the genesis of evil – and made us, the viewer, want to avoid them at all costs.

In 1982, Steven Spielberg released two films that featured closets, one more prominently than the other: E.T., which he directed, and Poltergeist, which he only produced. While E.T.‘s closet dealings were charming, cute, and brief, the closet in Poltergeist was anything but. It was a literal door to Hell. Sure, the infamous staticky T.V. was spooky and all, but let’s not forget: The Freeling’s troubles really began once poor little Carol Anne was sucked into her bedroom closet. And look, once Steven Spielberg does something unique (and quite successfully, I might add), a string of imitators are guaranteed to follow. And follow they did.

Long before J.J. Abrams learned to purloin from the king, Roland Emmerich (Independence Day) was doing his best Spielberg impression with Making ContactAKA Joey, a film littered with references to Close Encounters of the Third KindE.T. and Poltergeist: broken suburban family, toys that spring to life, telekinesis, creepy puppets, good vs evil. Oh, and spooky closets. Here again, the closet acts as a portal to another dimension, one wherein our lead, Joey, is able to communicate with his dead father. Watch the trailer and I’m sure you’ll agree: this is the most Spielberg movie ever made (that Spielberg didn’t actually have any involvement with).

Unlike Making Contact, Monster in the Closet is a low-budget offering (from schlockmeisters Troma) which is more spoof than imitation Spielberg, paying homage to the creature features of the ’40s and ’50s – but make no mistake, this is pure closetsploitation. The film finds a small town being terrorized by a monster who accesses their homes via their closets. The only way to stop it? Destroy every closet in town, naturally.

The beloved Fred Dekker/Shane Black film The Monster Squad sees our titular club of preadolescents saving their small town from a group of invading monsters straight off the Universal Studios backlot circa the 1930s. All the big names are present: Dracula, Frankenstein (‘s Monster), The Wolf Man, The Creature, and of course, The Mummy. Dekker – no stranger to cramming as many horror tropes as he can into his films (see: Night of the Creeps) – doesn’t miss the opportunity to insert the ol’ monster in the closet gag in Squad, with a youngster trying to convince his half-awake dad that The Mummy has taken up residence with his empty hangers.

If Making Contact is the most Spielberg movie that Spielberg never made, then Lady in White is easily a close second. It, too, features many allusions to Close Encounters, Poltergeist, and E.T. – including a scene where a kid on a bike seems to defy gravity and “fly” over a ravine. And yes, it even features an other-worldly closet, this time in a school, in which our young lead Frankie (Lukas Haas) finds himself locked after hours. It is here that he has ghostly visions of a girl being murdered by a strange man in the very same closet he’s trapped. Frankie spends the rest of the film trying to solve the crime, and revisiting the creepy closet for clues.

And finally we have Cameron’s Closet, a movie in the same vein as Making Contact and Lady in White, albeit it a tad more violent (and a lot racier). Unbeknownst to our telepathic protagonist Cameron, his favorite toy is actually a possessed Mayan doll – one that comes to life (due to Cameron’s active imagination) and begins residing in his closet. And wouldn’t you know it? The doll begins killing people who come near the closet, turning them into demon zombies. Typical. As I said, this is a bit more brutal than your average closetsploitation fare, but the Spielbergian hallmarks – telekinetic kid, toys springing to life, flashing lights – are all there. Oh, and Oscar-winning special effects maestro Carlo Rambaldi – who worked on both Close Encounters and E.T. – did the special effects for Cameron’s Closet. There’s no denying the intentions of the filmmakers.

The decade saw many other inclusions of closetsploitation – some of it brief, some of it not even in the film but merely used in the marketing. Even television shows got in on the excitement. And while there have been nods at closet horror in the decades since, nothing compares to the boom of the ’80s.

This is only a brief rundown of some of the films from that era that made our closets terrifying. Which ones am I missing?

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STUFF THAT SCARED ME: A Home Recording of A NIGHTMARE ON ELM STREET 3

It was the late-’80s, and we were smack dab in the middle of The Great VHS Boom. I believe it was Herbert Hoover who once promised, “a VCR in every home, and a membership to every mom & pop video store” – and that’s exactly what every family (including ours) had. And with the proliferation of VCRs came a wave of home recordings. No rental was safe from being recorded to a blank Kodak tape (or Polaroid, Sony, RCA, Fuji, et al.) You just had to make sure your recording speed was set to LP, and to put a little piece o’tape over that broken tab on the back, and you were in business. Sure, it was illegal. But it was the ’80s, and everyone was doing it. Continue reading STUFF THAT SCARED ME: A Home Recording of A NIGHTMARE ON ELM STREET 3

SUMMERTIME SCARES! (Stacy Still / Staystillreviews)

Aloha, mutants! We’re almost two weeks into July and already suffering all the fun things that come along with being smack dab in the middle of summer: blistering heat, back sweat, and frizzy knuckle hair.

Last year around this time I ran a month-long piece, Drive-In Double Feature, where I had readers submit their dream double features if no rules or restrictions applied. I’ll go out on a limb and say it was a minor “hit”, so I’ve decided to do something similar this year: open the doors and allow faithful CV readers to become faithful CV contributors, if only for a month.

Kicking things off is Stacy Still of Staystillreviews with her Top Summer Movies, and boy howdy she really covers all the bases! I’ll quit my rambling now and allow Stacy to take over. Continue reading SUMMERTIME SCARES! (Stacy Still / Staystillreviews)

ARTISTS BEHIND THE IMAGE: Barry E. Jackson

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ARTISTS BEHIND THE IMAGE is intended to put a name (and sometimes face) to the talented men and women who created the most iconic images to adorn horror VHS boxes and posters from ’70s, ’80s, and ’90s. Their art is vital; it’s the reason I (and many of you, certainly) fell in love with horror movies in the first place. This is not only intended as a tribute, but also a minor compendium, meant to collect their works in one single spot. Corrections, additions, or other info? Email me.

Last week I made my iHorror debut with a piece that focused on the proliferation of ’80s horror movies centered around bedroom closets. One such example, I noted, was Making Contact, a decent but largely forgotten (or ignored) German-cum-US telekinetic kid flick that plays like Spielberg-lite. After the article went up, I saw a lot of people making specific comments about the poster art for Making Contact, which I’d included in the piece. Their long dormant memories of the film had been awoken by the recognizable imagery. Continue reading ARTISTS BEHIND THE IMAGE: Barry E. Jackson

Looking Back: the First Issue of GOREZONE!

May 2016 marks the 28th anniversary of GOREZONE, the bi-monthly ‘sister’ publication of FANGORIA Magazine which made its debut in 1988. At the time, GOREZONE was intended to act as a sort of companion piece to its more well-known counterpart, covering the bloodier/weirder/more obscure stuff that Fango didn’t. Can you imagine? So many noteworthy horror films were being released, multiple magazines were necessary to cover them all. What a time to be alive!

GZ ran for a brief but bloody 27 issues, ending its run in 1994. Despite a short magazine stand life, it was a hardcore horror fan favorite. It was nastier, slimier, and darker than Fango, and it wasn’t afraid to showcase the splattery stuff, oftentimes as close-up and vividly as possible. Thanks to the powers of nostalgia, GZ was revived in 2013, albeit with one minor limitation – it is now only available via direct subscription. Continue reading Looking Back: the First Issue of GOREZONE!

HORROR NERD OF THE MONTH — Sheila!

sheila-noes4-nerd

The A Nightmare on Elm Street series is no stranger to nerdy characters (Will the Wizard Master, anyone?), but what with it being Black History Month and Women in Horror Month, Camera Viscera’s February HORROR NERD OF THE MONTH was a no brainer: Sheila, from A Nightmare on Elm Street 4: The Dream Master. And brother, what a geek! Continue reading HORROR NERD OF THE MONTH — Sheila!