Even if you’ve never actually seen Lucio Fulci’s 1979 Video Nasty Zombi 2 (aka Zombie), odds are pretty good that you’re at least familiar with one of its most talked about scenes, wherein an underwater zombie fights and bites an actual shark. This single scene was the main reason I sought the movie out many years ago, and I’m sure that’s the case for a lot of horror fans.
The story goes: Lucio Fulci actually wasn’t too keen on having a zombie versus shark scene, but producer Ugo Tucci insisted after having seen Tintorera: Killer Shark a few years earlier. Tintorera was one of the many cheapo sharksploitation movies that popped up in the wake (sorry) of Jaws. It was a Mexican production, directed by René Cardona Jr., based on the synonymous novel by Ramón Bravo. Continue reading SHARK VS ZOMBIE: Ramón Bravo, the Man Behind the Stunt→
Based on sheer unanimous appreciation alone, Creepshow may be one of the greatest horror films ever made. Truly: I’ve never heard one disparaging comment made about it. Inquire, and those who’ve seen it will excitedly describe their favorite segment, their eyes alight and hands animated. For those raised on it, it’s like a plateful of comfort food. And, due to its fall-tinged intro, it has become a Halloween staple. Needless to say, it’s a horror classic.
One of the things that helped cement Creepshow among horror royalty is its incredible score. Composed by frequent Romero collaborator John Harrison (using only a Prophet V synthesizer), the score successfully manages to craft a hauntingly Gothic aura punctuated by goofy camp – no easy task, but one that compliments the vibe of the comic book-inspired film perfectly. Romero himself has said that Harrison’s score delivers on the promise the tagline of the film avows: “the most fun you’ll have being scared”. Continue reading THE MISSING “CREEPSHOW” MUSIC CUES!→
When the athletic Allan Mann (Jason Beghe) is tragically paralyzed in a freak jogging accident in George A. Romero’s masterful Monkey Shines, things – at first- seem hopeless for the injured Allan.
After the accident, Allan withdraws. He becomes a shell of his former lively self. He grows distant from his girlfriend. And most tricky of all, Allan hates his live-in the nurse, Maryanne – the only one who can actually physically assist Allan.
All is reversed, however, when Allan’s speed-freak med student buddy, Geoffrey (John Pankow, looking like Elvis Costello’s twin here), delivers him a surprise package in the form a cute little capuchin monkey, lovingly nicknamed “Ella”, after the famed jazz singer. Continue reading HORROR PET OF THE MONTH: Ella!→
One of the great things about 80s horror flicks (versus today’s pedigree) is they didn’t take themselves so seriously. They weren’t afraid to inject lots of humor right alongside the buckets of blood. Everything from Evil Dead to Creepshow, A Nightmare on Elm Street to The Lost Boys, there was an art to the balance of humor and horror – something that is most certainly lost on 99.98% of today’s spook movies.
George A. Romero was no stranger to having fun in his movies, especially them zombie ones that made him so famous. Hell, Dawn of the Dead (1978) has a pie fight! By his third zombie film, Day of the Dead (1985), the slapstick got toned down a bit but there was still lots to smirk at – one of the main ones being the childlike “Bub”, a zombie who we see being ‘taught’ by Dr. Logan. Bub is iconic, as are his interactions with Dr. “Frankenstein” Logan, so I thought I would take a familiar scene and update it a bit – contemporize it for the year it was released, 1985.