Based on sheer unanimous appreciation alone, Creepshow may be one of the greatest horror films ever made. Truly: I’ve never heard one disparaging comment made about it. Inquire, and those who’ve seen it will excitedly describe their favorite segment, their eyes alight and hands animated. For those raised on it, it’s like a plateful of comfort food. And, due to its fall-tinged intro, it has become a Halloween staple. Needless to say, it’s a horror classic.
One of the things that helped cement Creepshow among horror royalty is its incredible score. Composed by frequent Romero collaborator John Harrison (using only a Prophet V synthesizer), the score successfully manages to craft a hauntingly Gothic aura punctuated by goofy camp – no easy task, but one that compliments the vibe of the comic book-inspired film perfectly. Romero himself has said that Harrison’s score delivers on the promise the tagline of the film avows: “the most fun you’ll have being scared”. Continue reading THE MISSING “CREEPSHOW” MUSIC CUES!
ARTISTS BEHIND THE IMAGE is intended to put a name (and sometimes face) to the talented men and women who created the most iconic images to adorn horror VHS boxes and posters from ’70s, ’80s, and ’90s. Their art is vital; it’s the reason I (and many of you, certainly) fell in love with horror movies in the first place. This is not only intended as a tribute, but also a minor compendium, meant to collect their works in one single spot. Corrections, additions, or other info? Email me.
Whenever I talk about the 1991 low-budget shocker Popcorn, I’ll get the occasional “I don’t know if I’ve seen that one…” in response. That is, of course, until I show them the cover art: a skeleton clad in a rictus grin and baggy old suit, using the mask of a crying girl with long black hair on a stick to cover his own decaying and terrifying visage, all of it outlined in a creepy green haze. “Oh, THAT movie!”, comes the next response, “I love that cover!” Continue reading ARTISTS BEHIND THE IMAGE: Joann Daley
There’s no denying it: horror anthologies are hot right now. The format has always been a popular go-to for the horror genre, but by the late-’90s it sort of fizzled out. Enter Michael Dougherty’s Trick ‘R Treat in 2007 – a Halloween anthology, naturally – and boom, the sub-genre was revitalized. Since then there’s been Chillerama (utilizing horror’s goofiest gorehound directors), the V/H/S and The ABCs of Death franchises, and even a few T.V. shows like Darknet and Black Mirror. More recently there’s been Tales of Halloween, and soon the upcoming Holidays. There’s also been a slew of lesser watched stuff that I didn’t mention, but trust me when I say: anthology-style horror is hot. (more)
As I laid on my couch last night, despondent over Halloween’s ghost quickly disappearing in my rearview mirror, I decided to watch the recently released horror anthology, Tales of Halloween, if only to keep the festive embers glowing just a little bit longer. It wasn’t something I had planned on watching; despite its voluminous cast and the certified Grade A horror pedigree involved, the trailer looked like the typical low-budget shot-on-digital crud that you’d expect to see being funded via Kickstarter. Alas, I was desperate for one last shot of Halloween, so I turned it on. Continue reading “Tales of Halloween” (2015) REVIEW
John Harrison might not necessarily be a household name for everyone, or perhaps you think I’m talking about John Harrison the British clockmaker who designed the first marine chronometer (and if you’re one of those people, give me your home address so I can come murder you), but horror fans should know who I’m talking about; he scored George Romero’s Creepshow as well as Day of the Dead, and directed the unofficial (yet agreed by most) Creepshow 2 sequel, Tales From the Darkside: The Movie. Continue reading INTERVIEW: John Harrison!