I recently attended Screamfest’s 30th Anniversary screening of A Nightmare on Elm Street 4 at Hollywood’s famed Chinese Theatre, and to say it was amazing would be an understatement. The whole cast was there, director Renny Harlin and legendary producer Bob Shaye were both there, and a fun Q&A with everyone followed the film. Sitting in the moderately-sized – but PACKED – theatre, watching the film with the stars of the film – well, that’s just a dream come true for any horror fan.
It’s always fun watching a horror film you’ve only ever seen on VHS or DVD up on the big screen. You seem to notice things you never really took note of before. For example, in A Nightmare on Elm Street 4, during the classroom scene where Freddy sucks all the air out of Toy Newkirk’s asthmatic little body, I always thought Robert Englund actually peeled the apple (which had been sitting on the desk) using a real bladed-glove. However, seeing it play out 50 feet wide, I was able to see that the apple was actually pre-peeled and simply stuck back together. It was a small thing, but my insides still went “whoa, cool.”
The other thing I noticed – and maybe this just comes from having seen the movie one hundred times – is the absurd amount of cardigans. I mean, everyone wears one at some point – even Alice’s drunken dad gets in on the action! While sitting there watching the film, I took a mental note of every cardigan I saw. I eventually stopped counting and just told myself to rewatch the DVD when I got home.
I took a screen grab of all the cardigans I spotted – which is to say, there could actually be more. I’ve posted them below.
Who knew, 30 years ago, A Nightmare on Elm Street 4 would be creating a whole new genre: cardigan-sploitation?
This is it, mutants! We’ve made it to the final entry in my year-long serial, Horror Nerd of the Month. I want to extend a big thank you to those of you who have faithfully followed over the past 12 months, commenting, liking, sharing, and all that other good stuff. And can that really be true? 12 months already? It feels like just yesterday that I posted the first entry in this exercise of monthly moronics; CV’s introductory nerd was poor Jerry, from The Texas Chain Saw Massacre. I can hear his virginal death shriek in my head as I type this.
There wasn’t technically a horror nerd for November, but I wouldn’t dare slight you which is why I’m doubling up this month. That’s right: December’s HNotM is a twofer! And what a twofer!
May I present Tom (Tom Casiello) from Woodchipper Massacre, and Terry (Louis Tripp) from The Gate. It only makes sense that I’d pair these two up: both are bespectacled redheads with a penchant for rock. But despite their love of flaming solos and killer air guitar, these guys are absolute zeros on the Cool Dude scale.
Below I offer visual evidence of their cringe-inducing flopping about whilst in the privacy of their own respective rooms. We’ve all been there, sure. But these guys, well, it’s not helping their cases.
Until next year, mutants!
ARTISTS BEHIND THE IMAGE is intended to put a name (and sometimes face) to the talented men and women who created the most iconic images to adorn horror VHS boxes and posters from ’70s, ’80s, and ’90s. Their art is vital; it’s the reason I (and many of you, certainly) fell in love with horror movies in the first place. This is not only intended as a tribute, but also a minor compendium, meant to collect their works in one single spot. Corrections, additions, or other info? Email me.
I know what you’re thinking: Bob Larkin? The Bob Larkin? The same Bob Larkin that played Martin the gravedigger in Friday the 13th VI: Jason Lives? No, this is a different Bob Larkin.
Now I realize I say this every time I do one of these, but I really think Bob Larkin may be the most prolific artist I’ve featured yet. Continue reading ARTISTS BEHIND THE IMAGE: Bob Larkin
I love talking about the ’80s for nostalgic reasons of course, but more and more I find that I like talking about that decade because I’m awed at just how archaic it seems now; compared to today’s Instant Everything culture where omnipotence is just a click away, the 1980s feel downright Paleolithic. And it’s especially hard for me to remember that the ’80s were 30+ years ago while we as a culture are stuck in this perma-’80s & ’90s closed circuit loop. I’m sure people in 1970 felt light years ahead of 1940, but 2016 feels like it could still be 1983-1997. It’s all very weird. Okay, okay, this old man’ll stop yelling at you to get off his lawn and get to the point. Continue reading The Weird World of WATCH AND WEAR!
With “Judged by the Cover” I take a look at some VHS boxes of movies I’ve never seen — and most likely never will — and try and summarize what I think they’re about, merely by their box. This week, I look at: The Dark (1979) Continue reading JUDGED BY THE COVER – “The Dark” (1979)
EDIT: After posting this to several typography-specific Reddit pages, there were a lot of comments informing me that the typeface was originally called Shatter. Shatter is available from Letraset directly (the original foundry); Glass Houses was a digitization done in 1999 by a group named Digital Graphic Labs. Even more info can be found here. Continue reading An Ode to “Glass Houses” / “Lower-West Side” typeface!